Invisible Stranger


Invisible Stranger

Collecting Crises on Old Compton Street and Beyond

Contact me

Little Tinker

Currently clicking:
- bboyblues
- bitful
- blue witch
- diamondgeezer
- glitter for brains
- london calling
- naked blog
- troubled diva

Usually Playing:
- ute
- neil and chris
- peter and anna
- june
- kurt

This page is powered by Blogger. Isn't yours?

www.blogwise.com

Monday, May 12, 2003
Happy Talk
To darkest EC2 and the Barbican for Happiness, the new performance piece by Laurie Anderson. No flash-bang multi-media spectacular this. Just one spotlight on a darkened stage, the barest musical accompaniment, a couple of songs, and Laurie.

Laurie telling tales. Tales to coax a smile, raise a laugh. Stories of her brother's parrot, or bartered kisses in the Amish Community. Even personal job satisfaction at the Chinatown McDonalds. It wasn't quite Laurie Anderson does stand-up, but at times it came endearingly close. The show's called Happiness, after all.

But just when things seem a little too cosy, we're slipped a killer blow. She makes us chuckle, recalling the time she broke her back as a kid, and was slammed in the children's hospital. And then she pauses, rewinds, plays the tale again, but now including all the bits omitted first time round – infant cries echoing down hospital corridors; children dying in the night; ward-sisters remaking their emptied beds in the morning.

A funny, moving, and surprisingly intimate performance, delivered with all the knowing understatement of a master storyteller, and in a voice capable of seducing every nuance out of every last syllable.

It was my first trip to the Barbican in quite a while. A bit like the so-hip-it-hurts ICA in the Mall, the Barbican is one of those things we arty-farty Londoners take for granted. Translation: we usually can't be arsed to make the effort and go there. This is due, in part, to the place's not entirely unjustified reputation of being a bugger to find. But sitting outside on its Waterside Terrace on a fine spring evening, a glass of red in my hand, a family of ducks on the lake; and then strolling leisurely inside to catch a performance in a theatre or concert-hall with damn-near-perfect acoustics, is one of my Seven Definitions of Heaven.

What the other six are, I'll let you know some other time.